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Both tracks shared to date by Ashnymph are hard to categorise: their personal label of their music as “subconscioussion” leaves listeners guessing. Their initial track Saltspreader married a pounding industrial rhythm – member Will Wiffen has at times appeared on stage in a tee that bears the logo of industrial metal pioneers Godflesh – with retro-style synths and a riff that subtly echoes the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a barrier of unsettling sound. The planned result, the trio have suggested, was to conjure highway journeys, “the ceaseless flow of vehicles all day long over great lengths … nighttime orange glows”.

The subsequent track, Mr Invisible, falls between nightclub tunes and experimental rock. For one thing, the cut's tempo, layers of hypnotic electronics, and singing that comes either trippily blurred or mesmerizingly repeated in a way that evokes Dubnobasswithmyheadman-era Underworld all suggest the dance space. Conversely, its intense performance-style shifts, near-anarchic character and fuzz – “making everything sound crunchy is a personal mission,” Wiffen noted – distinguish it as clearly a group effort rather than a bedroom-bound producer. They’ve been playing around the independent music circuit in south London for a short time, “any spot with loud speakers”.

But both are exciting and different enough – mutually and contemporary releases – to prompt questions about the band's future direction. Whatever it is, on the basis of these two singles, it’s probably not dull.

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